The Memories Awakened by the Illyrian Balisca Wine

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Historical period:

From the late 4th century BCE to the 1st century CE

Historical overview of the period

For Illyrians wine represented a distinctive element of both material and spiritual heritage, encompassing not only viticulture and production (notwithstanding its modest in scale) but also the social, regal and religious dimensions of its consumption. Archaeological evidence for wine use dates back to as early as the 6th century BCE. Contact with Greeks and Romans deepened the tradition, making wine a symbol of both sacred offerings and social communion — consumed during communal festivities, feasts dedicated to deities and council gatherings.

Conditions that gave rise to the event

Alongside the numerous archaeological finds related to wine transport (amphorae), mixing vessels and fine tableware, historical sources also document local Illyrian wine production. Aristotle (832a.22) mentions a honey-based wine produced by the Illyrians known as the Taulantii, made from honeycombs — a strong and very sweet drink. Pliny the Elder (Naturalis Historia XIV.2) records that the most celebrated Illyrian wine was the Balisca, produced from the Balisk grape variety cultivated around Dyrrachium. It was exported to Rome before the Augustan period and aged remarkably well. Some scholars even suggest that the vineyards of Bordeaux may trace their lineage to this Dyrrachian variety. Ancient sources such as Theopompus (FGrH 115 F 38, ap. Athenaeus 11.476d) describe Illyrian banquets, noting their distinctive traits by comparison to Greek and Roman customs.

Message

This story emphasizes respect for cultural traditions while articulating universal human dimensions transcending cultural or ethnic boundaries, encompassing pure feelings, memories and the sense of belonging. By way of contrasts, it highlights wisdom in moderation and the balance between joy and self-restraint — between sensibility and devotion.

Meaning in Today’s Context

The episode transcends cultural borders, suggesting that essential human values and experiences — love, memory, care for others and harmony with nature — are universal and surpass both geography and time. Through the figure of the Illyrian maiden, depicted as a pure vision and an ideal of love and nature, the narrative invites reflection on what truly endures in human condition: the sense of belonging, peace and living memories which permeate through a people’s traditions.

Bibliography

  • Étienne, Roland, “L’origine épirote du vin de Bordeaux antique,” in P. Cabanes (ed.), L’Illyrie méridionale et l’Épire dans l’Antiquité: Actes du colloque international de Clermont-Ferrand (22–25 octobre 1984), Clermont-Ferrand, 1987, pp. 239–243.
  • Lahi, Bashkim, “Kultura e verës si rafinesë në kulturën qytetare ilire – rasti i Lissos” [“The culture of wine as refinement in Illyrian urban culture – the case of Lissus”], Iliria 36 (2012), pp. 173–185.
  • Shpuza, Saimir, “Importi dhe prodhimi i verës dhe vajit në Ilirinë e Jugut” [“Import and production of wine and oil in Southern Illyria”], Iliria 33 (2007), pp. 219–232.
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